Bringing Country Music to Lincoln Center

Remember those Pace Picante Sauce television commercials that ran throughout the 1980s. “This stuff is made in New York City,” a comical cowboy would say with horror after picking up a jar of salsa. A chorus of outraged cowboys would always follow that quip, screaming “New York City!” Before moving to New York City, I basically envisioned that same mindset coming from the trendy Manhattan social scene when the thought of country music came up. “This song is made way down south,” a twenty-something would say as a toe-tapping tune came over the club speakers. “Way down south,” the whole dancing mob would shudder in unison. Country western music just didn’t seem like a likely fit for the Big Apple.

All of that changed when Lincoln Center’s annual Midsummer Night Swing imported The Time Jumpers, a group of well-respected western musicians from Nashville that are nearly the only ones left keeping Western Swing music alive. To see this old fashioned bunch of artists take the outdoor stage at Lincoln Center’s Damrosch Park was quite a unique experience. New Yorkers gathered around the stage, decked out in cowboy boots and hats, ready to do some two stepping on the specially designed dance floor.

The Time Jumpers only play a couple road dates a year,” Ranger Doug Green told me while we chatted backstage before the performance. When not playing with this group, Green keeps busy as the lead singer of an equally impressive western band, Riders in the Sky. The fact that Green and his band-mates agreed to play New York City put a smile on his face. “It’s the most exciting town on Earth and we have a great turn out.”

Green, a self-professed music historian, reminisced about the seeming lost art of Western Swing, pinning the original style to musician Bob Willis. “Back in the 1930s, [Willis] took the fiddle music he grew up with and mixed it with Benny Goodman which he was hearing on the radio and mixed the two together.” While that sound dropped off the pop culture radar when rock music swept the scene in the 1950s, Green beams with pride, asserting that the Time Jumpers are keeping it alive. Continue reading Bringing Country Music to Lincoln Center

U2 Mix It Up For the Fans

U2 has never been a band to shy away from spectacle, from the blitzkrieg-like barrage of TV screens during the band’s Zoo TV tour in the early 1990s to the megalomania of the PopMart Tour, complete with a 100-foot-high golden McDonald’s-like arch, in 1997. Since kicking off a now 34-year career as one of the most successful rock bands in the world, U2 has continued to push the boundaries of conventional rock wisdom. In fact, since Bono, the Edge, Larry Mullen, Jr. and Adam Clayton first came together, just four young lads form Ireland, joined by a dream to create beautiful rock music, and there has rarely been an instance when they settled for the status quo.


Still riding high on the success of their latest album, ‘No Line on the Horizon,’ U2 have delivered a special treat to its loyal fans with the limited edition remix-CD ‘Artificial Horizon,’ available only to U2.com subscribers — those not willing to sign up for the band’s official website are certain to find it on various online auction sites. This album is filled with remixes of U2′s songs, from “Elevation” and “Vertigo” to the current hit “I’ll Go Crazy If I Don’t Go Crazy Tonight” and earlier numbers including “If God Will Send His Angles” and “Staring at the Sun.” Ultimately, the album is for the fans, as these remixes are made to enhance the already polished work of the studio versions.

Remixes, however, are nothing new to U2. As Ralph Moore, an editor at Mixmag, writes, “U2 were one of the first bands to fully explore the idea that a remix could actually improve on a song’s original grooves.” In 1992, a Paul Oakenfold and Steve Osborne remix of U2′s “Even Better Than The Real Thing” made it to number 8 on the music charts shortly after the original was released. While ‘Artificial Horizon’ isn’t a commercial release, there are plenty of gems to be found, like the almost transcendental sound of the “Staring at the Sun” ambient mix. This latest fan-only album, a follow-up to the ‘Melon’ remix album released in 1995, proves U2 is unafraid to embrace experimentation, a facet of the band’s personality that continues to prove successful.

When U2 became “Rock’s Hottest Ticket” in 1987, as billed on the cover of Time Magazine following the release of ‘The Joshua Tree’ album, they were riding high on the success of a sound nurtured by producers Brian Eno and Daniel Lanois, a duo that had helped the band craft their previous album, ‘The Unforgettable Fire.’ It was a sound that solidified U2′s standing as rock superstars, but it also marked the end of traditional rock tunes for the Irish band.

As the 80′s drew to a close, U2 was growing weary of its “traditional” sound, having become a band that couldn’t escape playing its own greatest hits on the road. On December 30, 1989, Bono told fans attending a concert in Dublin, Ireland, “This is just the end of something for U2… we have to go away and dream it all up again.” By this, Bono meant that U2, for its own creative sanity, had to re-think the style of music they were churning out, and hopefully, dream up something new.

Continue reading U2 Mix It Up For the Fans

Opera Plays the Hayden Planetarium

It’s not often that my work as an entertainment and Broadway reporter crosses paths with my day job as the New Media Specialist at the American Museum of Natural History in New York City, so when I heard that an opera was going to be staged in the Museum’s Hayden Planetarium, I was excited to check [...]

U2 Goes ‘Crazy’ For Animation

While U2 travels around Europe on the first leg of their 360 Tour, director David O’Reilly has released the band’s latest music video for “I’ll Go Crazy, If I Don’t Go Crazy Tonight.” Film fans might recognize O’Reilly for his short film, “Please Say Something,” which earned him the Golden Bear at the 2009 Berlinale. [...]